Digital Roses is a visual research series exploring symmetry, rotation, and perceptual instability through digitally generated black-and-white abstraction. Developed as part of Rozita Sophia Fogelman’s systems-based investigation into rule-driven image construction, the works translate simple geometric logic into dense optical fields that oscillate between order and disorientation.
Built through repetition, mirroring, and radial structure, each composition functions as a perceptual experiment—testing how minimal visual parameters can generate complexity, depth, and rhythmic motion. Rather than referencing representational imagery, the series emphasizes process, constraint, and spatial tension, positioning the image as an active system rather than a fixed object.
Situated at the intersection of digital minimalism and post-material abstraction, Digital Roses reflects an ongoing inquiry into how algorithmic logic and visual constraints shape perception over time. The series operates simultaneously as an aesthetic study and a research artifact, contributing to broader investigations into pattern, cognition, and contemporary digital visual systems.
